Films like “Blue Velvet” and “Mulholland Drive” aren ... arrives before you’ve even seen Lynch’s first film, his black-and-white opus about a man named Henry with sky-high hair ...
Then he topped himself, and every other filmmaker of the time, with the film-noir-gone-mad genius of “Blue Velvet” (1986 ... shooting its black-and-white magical hellscape on AFI soundstages ...
David Lynch, the groundbreaking director of films and shows including "Twin Peaks" and "Blue Velvet," has died at ... first feature film "Eraserhead," a black-and-white surrealist indie film ...
He was also an abstract painter, photographer and sculptor whose prints and constructions echoed the underlying discomfort that was constant in “Mulholland Drive” and “Blue Velvet.” ...
Velvet ants in general are quite colorful, often with bright scarlet or orange patches, as well as silver, gold or white, usually with contrasting black patches. Their vibrant coloring serves as a ...
David Lynch, the American filmmaker, writer and artist who scored best director Oscar nominations for Blue Velvet, The Elephant Man and Mulholland Drive and co-created the groundbreaking TV ...
Director-writer David Lynch, who radicalized American film with with a dark, surrealistic artistic vision in films like “Blue Velvet” and ... a horrific, black-humored work that became ...
Netflix’s Black Stories collection celebrates Black cinema and culture and allows subscribers to narrow their search if they’re interested in movies from Black creators and stars. However ...
One of Hollywood’s worst weeks in years just got worse. David Lynch, the four-time Oscar-nominated filmmaker behind Blue Velvet, Mulholland Drive, Eraserhead, Wild at Heart, The Elephant Man and ...
With such hallucinogenic masterworks as 'Eraserhead,' 'Blue Velvet,' 'Mulholland Drive ... Eraserhead (1977), a dystopian vision shot in black and white. Adored and abhorred in equal measure ...
One of the most memorable images of David Lynch is not from a film set but from the corner of Hollywood Boulevard and La Brea, sitting in a director’s chair with a magnificent black-and-white ...