Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants, in March 1888. [1]

2022年1月29日 · Cloisonnism is a Post-Impressionist style characterized by flat areas of color and dark linework. It was developed by two French artists Émile Bernard and Louis Anquetin, who …

Cloisonnism (fr. cloison — partition) is a special style of painting technique that was invented and developed by the French artists of the Pont-Aven school, Émile Bernard and Louis Anquetin (Paul Gauguin later joined them).

Based on a two-dimensional pattern, featuring large patches of bright colour enclosed within thick black outlines, in the manner of medieval cloisonné enamelling or stained glass, the word …

Cloisonnism may have been a short-lived movement, but its impact on the art world was profound. By rejecting the conventions of realism and embracing bold, flat colors and strong outlines, Cloisonnists like Gauguin, Bernard, and Anquetin paved the way for modern art.

Cloisonnism is an artistic style characterized by the use of bold outlines and flat areas of color, creating a stained glass-like effect. This technique allows artists to emphasize distinct color shapes while minimizing gradation and detail, which aligns closely with the goals of …

Cloisonnism was a movement within Post-Impressionism that emerged in the late 19th century, primarily associated with the French painter Émile Bernard. The term “cloisonnism” is derived from the French word “cloison,” meaning compartment, and refers to the use of bold, outlined forms resembling the technique used in cloisonné enamelwork.

A style of painting with flat sections of bold colors often delineated by dark borders. Coined by the art critic Édouard Dujardin, the word references the cloisons or “compartments” in stained glass separated by dark lead.

"Cloisonnism" is a style of post-Impressionist painting with bold forms separated by dark contours. The term was coined by critic Edouard Dujardin. Artists Émile Bernard, Paul Gauguin, and others started painting in this style in the late 19th century.

2020年1月14日 · Around 1887, Anquetin and Bernard developed a painting style that used flat regions of color and thick, black contour outlines. This style, named cloisonnism by critic Edouard Dujardin, was inspired by both stained glass and Japanese ukiyo-e. BOOM! Cloisonnism. This was probably something I learned in art school decades ago.