Ecce homo (/ ˈɛksi ˈhoʊmoʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).

Many have heard some version of the story of the young Count Zinzendorf commiting his life to the service of Christ after seeing the painting Ecce Homo (“Behold the Man”) by Domenico Feti; but few have seen the actual painting! Domenica Feti …

Ecce Homo, (Latin: “Behold the Man”), theme prevalent in western Christian art of the 15th to 17th century, so called after the words of Pontius Pilate to the Jews who demanded the crucifixion of Jesus (John 19:5). Paintings on this theme generally conform to one of two types: devotional images of the head or half-figure of Jesus, or ...

Ecce homo ("behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of John, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion.

The exhibition Ecce Homo: Behold the Man explores the work of 21 artists, spanning five centuries and multiple genres and media, who have visualized the moment Jesus stood trial, showing their unique interpretation of the concept of suffering.

These 4 words are a simple, 2-word phrase in Latin: Ecce homo. Behold the man. The Passion of Our Lord begins not with a reminder of His divinity, but with a simple statement of His humanity. Christ, possessing both a divine Nature and a human Nature, stood before the taunting crowd as fully God but also fully man.

2024年3月28日 · These works, among many others, are on display in our Easter exhibit, Ecce Homo: Behold the Man, which explores how 21 artists across five centuries, multiple genres, and mixed media have visualized the moment Jesus stood trial, interpreting the concept of suffering as it is uniquely understood by the artist and by the viewer.

Ecce Homo, 1605 by Caravaggio. This is probably a picture mentioned by Giambattista Cardi, the nephew of the Florentine painter Cigoli, who related how Cardinal Massimi commissioned versions of Ecce Homo from three different painters, Caravaggio, Cigoli and Passignano, so that he might actually end up with a work which satisfied him.

For centuries Christians believed the arch was the place where Pontius Pilate displayed Jesus — beaten, crowned with thorns and clothed in a purple robe — to a hostile Jerusalem crowd with the words: “Behold the man” (“Ecce Homo” in Latin). This belief persists in many publications, though archaeology has proved the arch did not ...

The hypothesis which connects the Ecce Homo of Palazzo Bianco to a work that Caravaggio himself, in a letter dated June 1605, promised to the Roman nobleman Massimo Massimi, a prominent figure in counter-reformation Rome, was subsequently rejected by critics; other studies have proposed to identify this canvas with that previously in the ...