Konstantin Sergeyevich Stanislavski [b] (Russian: Константин Сергеевич Станиславский, IPA: [kənstɐnʲˈtʲin sʲɪrˈɡʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj]; né Alekseyev; [c] 17 January [O.S. 5 January] 1863 – 7 August 1938) was a seminal Soviet Russian theatre practitioner.

2025年1月13日 · Konstantin Stanislavsky (born January 5 [January 17, New Style], 1863, Moscow, Russia—died August 7, 1938, Moscow) was a Russian actor, director, and producer, founder of the Moscow Art Theatre (opened 1898).

2014年4月2日 · Constantin Stanislavski was a Russian stage actor and director who developed the naturalistic performance technique known as the "Stanislavski Method" or method acting.

2023年5月30日 · Konstantin Stanislavsky (sometimes spelled "Stanislavski") is the father of modern acting. His desire to “live” a role rather than “perform” a role has influenced every acting technique...

Konstantin Stanislavski was the most influential person in the history of modern acting theory. His experiences as an actor, teacher and stage director drove him to search for a system of techniques an actor could use to consistently deliver truthful performances.

Constantin Sergeyevich Stanislavski (Russian: Константин Сергеевич Станиславский) (January 17 [O.S. 5 January] 1863 – August 7, 1938), was a Russian actor and theater director.

Russian practitioner, Konstantin Stanislavski's ideas are very influential. He believed in naturalistic performances that were as realistic as possible, and invented techniques that you can...

Konstantin Stanislavski organised his techniques into a coherent, systematic methodology, which built on three major strands of influence: the director-centred, unified aesthetic and disciplined, ensemble approach of the Meiningen company; the actor-centred realism of the Maly; and the Naturalistic staging of Antoine and the independent theatre ...

Known as the Stanislavski System, his methods laid the foundation for modern acting techniques, including “Method Acting.” At the core of Stanislavski’s philosophy are seven essential techniques that help actors develop their craft and create believable characters.

Constantine Stanislavsky (1863–1938) set himself to fuse all the random thought and experiences into a form that could help the beginner and be of service to the experienced actor. His aim was to find a “grammar of acting,” to achieve that level of inspiration, or of living on stage, which great actors had found accidentally and sporadically.